Live Art

Reflections on Sheila Ghelani’s Softly/Tenderly | Maddy Costa
09 April 2025
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e-Journal #3 Print edition – Where to find it
21 March 2025
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Sobrevoos e mergulhos, amplitudes e recortes: Citemor´24, prática artística, risco e descolonização | Dori Nigro e Paulo Pinto
18 December 2024
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performingborders Pamphlet #6 – Live Art Writers Network | 2024 Commissions
18 December 2024
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Slow Cooking
07 November 2024
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Marica as a space to talk about queerness, indigeneity, and liberation | Interview with Movimiento Maricas Bolivia (Spanglish)
14 August 2023
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performingbordersLIVE23: Reading Karaoke: Rustling Words by Youngsook Choi
14 June 2023
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performingborders e-journal: Rallying the Commons & newsletter December 2022
14 December 2022
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Collaborative Doctoral Award in partnership with Central School of Speech & Drama
14 December 2022
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performingborders: Body, Politics & Live Art, Barbican 1st & 3rd Dec’22
14 November 2022
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performingborders newsletter | August 2022 | CITEMOR Festival 2022 & We Need Queer Liberation Now
14 August 2022
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pbCITEMOR2022 | reflections over cervejas and sardinhas
14 August 2022
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pbCITEMOR2022 | Dinis Machados’ Memórias Ternas de um Afecto Queer
14 August 2022
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Fronteiras | Interview with Two Destination Language
14 June 2022
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On Work | Interview with Giulia Casalini + Niya B

On Work | Interview with Giulia Casalini + Niya B
14 June 2022
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Fronteiras | Interview with mandla
14 June 2022
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