Following from the première of RE:seeding, in correspondence, commissioned artist Jade Montserrat & guest Chandra Frank discuss the performance to camera, its themes and processes.
Broadcast date: 23th October 2020
Publishing date: 14th November 2020
To watch the full performance to camera, visit: https://performingborders.live/commissions/reseeding-in-correspondence–performance-to-camera-by-jade-montserrat/
This event was commissioned and presented part of performingbordersLIVE20 final event, Unbordering, with support from Live Art Development Agency, East Street Arts, Counterpoint Arts, MAFWA Theatre, HowlRound Theatre Commons & Arts Council England
Jade Montserrat is the recipient of the Stuart Hall Foundation Scholarship which supports her PhD (via MPhil) at IBAR, UCLan, (Race and Representation in Northern Britain in the context of the Black Atlantic: A Creative Practice Project) and the development of her work from her black diasporic perspective in the North of England. She was also awarded one of two Jerwood Student Drawing Prizes in 2017 for No Need for Clothing, a documentary photograph of a drawing installation at Cooper Gallery DJCAD by Jacquetta Clark. Jade’s Rainbow Tribe project – a combination of historical and contemporary manifestations of Black Culture from the perspective of the Black Diaspora is central to the ways she is producing a body of work, including No Need For Clothing and its iterations, as well as her performance work Revue. Jade was commissioned to present Revue as a 24 hour live performance at SPILL Festival of Performance, October 2018, a solo exhibition at The Bluecoat, Liverpool, (Nov – 10 Mar 2019) which toured to Humber Street Gallery ( July-sept 2019) and was commissioned by Art on the Underground to create the 2018 Winter Night Tube cover
Chandra Frank is a feminist researcher and independent curator who works on the intersections of archives, waterways, gender, sexuality and race. Her curatorial practice explores the politics of care, experimental forms of narration, and the colonial grammar embedded within display and exhibition arrangements. Chandra earned a PhD in Media, Communications and Cultural Studies from Goldsmiths, University of London.
She has published in peer-reviewed journals and exhibition catalogues, including Feminist Review, the Small Axe VLOSA catalogue, The Place is Here publication and the collection Tongues. She recently co-edited a special issue on Archives for Feminist Review. Her curated exhibitions include Re(as)sisting Narratives (Amsterdam/Cape Town), Fugitive Desires (London), and Proclamation 73 (Durban) (co-curated with Zara Julius). Chandra curated the 2016 Archives Matter Conference at the Centre for Feminist Research at Goldsmiths. Currently, Chandra is a Post-Doctoral Fellow at the Charles Phelps Taft Research Centre at the University of Cincinnati.