a visual essay by Manuel Vason
Image credits: Manuel Vason with the assistance of Niamh Kirby & Seren Maddock
Are the urgent images critical lenses that focus on the power of the visual in our society?
Is photography measuring the insanity of scientific truth?
Does photography entail a performance of representation?
Is photography programming our imagination?
If the partial, the frontal and the superficial represent the dominant photographic perspective, how do I counteract?